Photo by Eric Wolman Figures of an Infant Jesus, Dressed for a Feast Day [NYT] A Month-Long Farewell for Rose Live Music [WSJ] M. Stansberry hustles DVD of animated series ‘Puddin’ in subway [DailyNews] Cab Catches Fire In Snowy Williamsburg [NY1] Worker dies in NY tortilla factory accident [PIX11] Brooklyn Vigilantes Nab Art Thief by Taco More > >
My Zen is at the peak of productivity. Between morning and afternoon meetings, doctors appointments, a run at the gym, jazzed up on cappuccinos, deadlines looming, I take a minute to focus on my breath, I inhale the city’s car-fumed air … Blackberry still in hand, podcast tunes pumping through my brain, scanning the daily paper … and I exhale. OMMMMMMmmmm.
When Mikal Hameed opened up 99% Gallery and Art Center in Williamsburg in June 2010, it took off, presenting seven shows in six months showcasing prominent under-ground artists to large crowds, all while becoming the latest de facto haunt for Brooklyn’s cultural extroverts. By December, almost as swiftly as it emerged, 99% Gallery was closed.
Andrew Ohanesian doesn’t just create art; he creates art that passes for reality. The 30-year-old Bushwick transplant—when he isn’t working at his “day job” as studio manager for NYC-based new media artist Jon Kessler—is busy in his studio (site of such detritus as a working stove, piles of raw lumber, a man-sized safe, and dismembered mannequins), plotting out how to best create his next, accurately textured, convincingly lit, art installation that feels, looks, and smells so real, it blurs the boundaries between art and life.
Best known as a performance and video artist who dabbles in occult mythology, Micki Pellerano demonstrates talent as a draughtsman in this exhibition of allegorical drawings. While Pellerano’s style carries on the classical tradition of idealized bodily form, much of his iconography comes from Rosicrucian mysticism.