Review by Robert Egert
Dance is so often a spectacle, a kind of voyeuristic experience. As a member of the audience you typically sit on your ass and watch the performers do all the work. If it’s good, when it’s all over, you clap.
4CHAMBERS, Jody Oberfelder’s ambitious and engaging new piece, turns everything about that experience on its head while preserving explorations of formalism and expression through movement. More > >